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aplus
„Ute Lindner – Never ever stop", Åplus, Berlin, Finissage 2 September 2018 16:00-18:00
  SELECTED WORKS
  Pentimenti
  Bin ich noch in meinem Haus
  Cyanogramme
  Belichtungszeiten
  Exposures
  Disposures
  There's no reason to define the
outside environment as alien
  Through the Looking Glass
   
  INSTALLATION VIEWS
   
  BIOGRAPHY
   
  BIBLIOGRAPHY
   
  CONTACT
   
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Recent works (22 pages, 5 MB)

Upcoming/Current/Recent Shows 2018:


CO/LAB III" (G, K), Torrance Art Museum, Los Angeles
„The Myriad Forms of Visual Art: 196 Works with 19 Themes" (G,CK), National Museum of Art, Osaka
„Preußisch Blau (S), Zagreus Projekt, Berlin„Einblicke“ (G), Galerie der Neuen Schule für Fotografie, Berlin
„Jubiläumsausstellung Dr.-Wolfgang-Zippel-Stiftung" (G), Kasseler Kunstverein
„LEBENSWEGE – Rob Scholte & his former students" (G, C), Kasseler Kunstverein
„Never ever stop" (S), Åplus, Berlin
„Nomadism – Bridge over troubled water“ (G), kunstbauwerk e.V., Tabakfabrik Vierraden
„Pentimenti revisited" (S, C), Stiftung Starke, Löwenpalais, Berlin, part of the European Month of Photography (EMOP)
„Through the Looking Glass" (S, C), PHOTOWERK, Berlin, part of the European Month of Photography (EMOP)
„All that we see or seem is but a dream within a dream" (S, C), Kronenboden Berlin, part of the European Month of Photography (EMOP)

E = solo show
G = group show
C = catalogue

Please scroll down for more pictures.

 
     
   

 
     
 
 
18_tabakfabrik
Video installation "Nature Girl", Tabakfabrik Vierraden 2018
 
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"Nature Girl", Kasseler Kunstverein 2018
 
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"CO/LAB III", Torrance Art Museum, Los Angeles 2018
 
 
„Pentimenti (Akademie der Künste)" 
 
My „Pentimenti“ work for the Acadamy of Arts in Berlin (2017) is also about the architectural environment of the actual space (as similar works before) but I added for this curtain work on linen another text element. I have found a quite bizarre sentence in an office space of a museum without knowing from whom it was: „With all the holes in you already there‘s no reason to define the outside environment as alien“. I took this strange quotation and asked friends from different countries to translate it into their language – again and again. So by time it changed its meaning more and more. Some of these mutated sentences I integrated into the work for the Academy of Art. Beside, I found out that the sentence was originally from Jenny Holzer.
 
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"Pentimenti (Akademie der Künste)", 2017, cyanotype on linen, installation (detail), Kunsthalle der Europäischen Kunstakademie Trier,
photo: Ute Lindner
 
   
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"Pentimenti (Akademie der Künste)", 2017, cyanotype on linen / projection, installation (detail), Kunsthalle der Europäischen Kunstakademie Trier,
photo: Ute Lindner
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"Pentimenti (Akademie der Künste)", 2017, projection, installation (detail), Kunsthalle der Europäischen Kunstakademie Trier,
photo: Ute Lindner
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"Pentimenti (Akademie der Künste)", 2017, cyanotype on linen / projection, installation (detail), Kunsthalle der Europäischen Kunstakademie Trier,
photo: Ute Lindner
utelindner
"Pentimenti (Akademie der Künste)", 2017, cyanotype on linen / projection, installation (detail), Kunsthalle der Europäischen Kunstakademie Trier,
photo: Ute Lindner
pentimenti
"Pentimenti (Akademie der Künste)", 2017, cyanotype on linen, installation (detail), kunstbauwerk e.V:, Tabakfabrik Vierraden,
photo: Ute Lindner
 
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Gabriele Münter Preis Ausstellung, Akademie der Künste, 2017, cyanotype on linen, installation, 220 x 900 cm, photos: Ute Lindner

 

   
    adk
    Gabriele Münter Preis Ausstellung, Akademie der Künste, 2017, cyanotype on linen, installation, 220 x 900 cm, photos: Ute Lindner
   
  adk
  Gabriele Münter Preis Ausstellung, Akademie der Künste, 2017, cyanotype on linen, installation, 220 x 900 cm, photos: Ute Lindner
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